thanks for fine reporting on the frontline as usual!
I am just curious, what can we really see the difference if you (or whoever) run a side by side shots using GFX 50 and GFX 100 of identical subjects and conditions?
I assume we’ll see little difference on screen, but for those GFX 50 user like myself who never or seldom make prints over 2 meter by 4 meter, what’s the point of having 100 mega p or 200 in a few years?
Could you shed some lights?
Source: Jonas Rask